Friday, October 31, 2008
Why I Hate Vampires
Thursday, October 30, 2008
Am I A NaNo Cheater?
This year, after lots of serious thought and introspection (yeah, right), I decided to make a decent stab at NaNo. I’ve signed up in the past but always something has prevented me from finishing. Really important things like freaking out because Thanksgiving is at our house and I can’t remember how to cook a turkey (the easiest thing in the world) and so how can I POSSIBLY devote myself to writing 50,000 words in a month when I have to learn how to make a turkey? Or the fact that November is sweeps month on network TV and hello, who has time to write when the mysteries of Jim and Pam are about to be solved? (Which they weren’t, by the way … that was 2 years ago. I think). But this year I am totally seriously devoted. Seriously.
Except I have a problem.
I might have to “cheat” at it. See, the good people over at NaNo have a few rules. Really good, reasonable rules. But one of them is in direct conflict with what I need to accomplish. Here it is:
Do I have to start my novel from scratch on November 1? Can I use an outline?
Yes.
This sounds like a dumb, arbitrary rule, we know. But bringing a half-finished manuscript into NaNoWriMo all but guarantees a miserable month. You'll care about the characters and story too much to write with the gleeful, anything-goes approach that makes NaNoWriMo such a creative rush. Give yourself the gift of a clean slate, and you'll tap into realms of imagination and intuition that are out-of-reach when working on pre-existing manuscripts.
Outlines and plot notes are very much encouraged, and can be started months ahead of the actual novel-writing adventure. Previously written prose, though, is punishable by death.
Punishable by death! Yikes! I can understand their reasoning. When I am in the second draft of a novel, my writing really slows down because I get bogged down by details, have to go back and check voice/tone/humor, have to research all those facts I put notes by in the first draft, etc. But that’s the second draft. In the first, it’s really a free for all, write by the seat of my pants kind of experience. And that’s where I am now - on the rollercoaster. (I really wish it were like June or July or something so I could go to Six Flags and ride the rollercoasters. I know, I know, Fright Fest is going on but I don’t do cold. Ever.) I am experiencing the creative rush now in the first draft of Enchanted Temptation and I am scared to stop. If I stop, if I work on something else for the month of November, I am afraid I won’t be able to rediscover the flow of images, voices and ideas that come with writing the first draft of something in a crazy frenzy. I’ll forget. I’ll forget Philippa’s prickly humor and Finn’s unmasked honesty. I’ll lose all the loose plot threads twisting about in my brain. Right now I have them in my fist, held tight so they fit before they are sewn together. But if I stop, I’ll never remember how they all twisted together before and made sense. Do I have notes? Of course. A huge notebook devoted (I even have a Table of Contents … I’m strange, I know this, but it works for me) to the manuscript with everything I’ll ever need to know jotted down on some random page (hence the Table of Contents people). Unfortunately the notebook can never take the place of the vision in my head. I don’t want to lose my vision.
Do I have other manuscript ideas? Oh yes, hundreds. And I even have another notebook made up entirely of plot ideas. (I really should put them all into a Word Doc. Do you know how badly I would freak out if I lost that notebook?) I know, if I were absolutely FORCED to abandon Enchanted Temptation in the month of November which idea I would work on. But that’s the point. THERE ARE NO REFERRES! I could break all the rules and no one would ever know. Except me. And I hate keeping secrets. So I confess them all in a blog so it’s out there for everyone to see. I am starting to notice a slightly self-destructive pattern here. Hm … .
When I first began writing this post, I was torn. I don’t want to be a cheater but I also need to do what’s best for me. So in the writing of this post I have decided to break NaNo’s rule and become an official NaNo Cheater. At least I am upfront about it though. That has to count for something, right? I’ll enter my word count, and I’ll cheer everyone else on, but I’ll be cheating each and every day too. And I’m OK with that. Seriously.
Wednesday, October 29, 2008
Cheater Post - New Amazon Beta Site
Monday, October 27, 2008
This Girl Recommends ~ The Price of Desire (Jo Goodman)
The Price of Desire has an interesting premise. To save himself from the merciless hands of Griffin ~ Viscount Breckenridge, owner of one of London's gaming hells, Alistair Cole offers up a marker in exchange for the money he owes (which he plans to retrieve from his father). The catch? The marker is his sister, Olivia. When I read the back cover I was a little put off. I mean, really, what else does the marker mean but that Olivia is going to "belong" to Griffin and come on now, what do you think he is going to do with her? It's a book with a strong alpha male. Except ... Olivia is strong too. Amazingly so. With bits of believable vulnerability built in. She is more than a match for Griffin and I found myself delighted each and every time she managed to knock him down a notch. And let's just say, Olivia didn't become a sex slave (thank you Jo!). She did eventually become his mistress but it was her choice and her's alone. Her strength and Griffin's unexpected gentleness surprised me and kept me turning page after page. Their love was real, you could feel it seeping from the pages. But so, of course, was their conflict. I had a little trouble with the external conflict (the villain's motives were a bit far-fetched) but Goodman's writing put those little annoyances straight out of my mind.
Goodman has a distinct voice, quite unlike those I have read before. She manages point of view beautifully, switching between character's thoughts seamlessly and without jarring the reader from the story. I think this is mostly accomplished because we know the characters' thoughts through dialogue. The dialogue is written so skillfully, that each revelation is a surprise. A surprise that is wholly unexpected but satisfyingly sensible to the story. There are periods of internal reflection but the characters are more honest with each other than they are with themselves (even if they don't mean to be). Olivia and Griffin never lie to the readers nor do they make discovery easy.
For an example of Goodman's writing style, see this post when I participated in Teaser Tuesday.
Things I Liked:
- The twists and turns. As soon as you have the story straight in your head, Goodman throws another obstacle in your path and you are forced to re-evaluate the characters.
- Olivia and Griffin toss lines of dialogue back and forth, reversing the other's sentences and meanings to work in their favor. Usually I would find this device annoying but with Olivia and Griffin it just WORKS. They do this first in defense, then in learning and finally in teasing love. Their dialogue is beautiful.
- The story. This book, although not without action, is primarily character based, my favorite kind of novel. The evolution of Olivia and Griffin is mapped out point by point. Goodman never misses a beat in exploring their developing emotions, and never leaves the reader wondering why they make the choices they do.
- The lines of humor earlier in the story. Occasionally Olivia or Griffin would throw out a funny sentence and it would jar me because in the beginning they really didn't have a teasing relationship. Later, toward the end, the humor worked but in the beginning it was almost as though Goodman inserted those lines randomly.
- The Villains. I won't go into detail here about the external conflict because I don't want to spoil anything (really the whole story is a delight that I would feel as though I were cheating potential readers out of the fun of discovery). But in any case, the villain was not fully developed so his/her motives really didn't make much sense to me. I get that he/she (is it a he or is it a she? You'll know if you read) is crazy but I think Goodman needed to spend a bit more time exploring the psyche for the villain's motives to make sense. (That said, I much prefer that Goodman spent the majority of the book examining her main characters).
- Olivia's relationship with her brother, Alastair. Again, to avoid spoiling the book I won't go into particulars but suffice to say there is forgiveness in the end. I get that he's young and I get that he's selfish but his actions clearly deserve more sternness from Olivia. Of course, she did end up the better side of the deal but ... she fell into the "I'm such a sweet, sweet, wonderful heroine" category that sometimes makes me gag.
- Released ~ September 2008
- Price ~ $6.99
- Related books ~ I don't believe this is really a series but Restell Gardner from If His Kiss Is Wicked makes an appearance.
- Favorite Goodman ~ If His Kiss Is Wicked
Friday, October 24, 2008
Look What I Bought
It retrospect people said it was a Cinderella story.Noticeably missing was the personage of the Fairy Godmother. But other than that, the narrative seemed to contain all the elements of a fairy tale.
Thursday, October 23, 2008
Booking Through Thursday ~ Favorite Literary Couples
"Emily," Teddy whispered, "you're the sweetest girl in the world."The words have been said so often by so many millions of lads to so many milllons of lasses, that they ought to be worn to tatters. But when you hear them for them for the first time, in some magic hour of your teens, they are as new and fresh and wondrous as if they had just drifted over the hedges of Eden. Madam, whoever you are, and however old you are, be honest, and admit the first time you heard those words on the lips of some shy sweetheart, was the great moment of your life.
Wednesday, October 22, 2008
Hello Super Librarian, I Love You
Tuesday, October 21, 2008
Reading Happy Hour - The Price of Desire (Jo Goodman)
Today from The Price of Desire (look for a review later on in the week).
Olivia Cole, in this scene, contemplates her captivity (although not physically threatening) and leaves me feeling as though, given the same circumstances, I would attempt to proceed with life in the same way.
It would be as it has been. She'd managed to live on her wits - and not much else - once before. There have been no expectation then that she would be rescued; indeed, she had never thought of her life in terms of captivity. It was as it was. She managed each day as she had each yesterday, and if she allowed herself to think that something might be different on the morrow, it was just in those moments before she slept and only in the early days when she still believed she could order her dreams. (Chapter 5, pg 111-112)
Here, Goodman describes Olivia slipping into shock after she discovers that despite her best attempts not to be hopeful, she had hoped for release and found that hope to be in vain:
Olivia stood and moved quickly to the window. Turning away from her brother, she hugged herself. A shiver when through her in spite of it. Her bones felt brittle, aching with cold. Splinters of ice embedded themselves in her chest, crystallized around her heart. If she exhaled deeply she thought she might see frost on her breath. The whole of her was frozen with fear. She could not think, could not act, could not move. (Chapter 7, pg. 174)Notice how Goodman builds the reader up in just a few short sentences. The description of Olivia's emotions escalate sentence on top sentence until the climax of what she feels (or doesn't feel, in this case) is reached.
Oh to write like that!
Monday, October 20, 2008
Save Our Contemporaries - A Message from Dear Author and Smart Bitches
The lovely ladies over at Dear Author and Smart Bitches have been picking up on something that's been floating around Romance Blog Land for a couple months now - the lack of straight up contemporary romance novels. In an attempt to get the attention of our beloved romance publishers (guys? are you listening?) DA and SB are starting a sort of spread-the-word campaign - or rather, spread the Sprout and get publishers on board with the idea that loyal readers out there are craving contemporaries.
Friday, October 17, 2008
A Novel Idea - Book Teasers
From Maeve Binchy's Firefly Summer (a rainy day read if there ever was one) on page 492
"You know, hanging around too long, hoping that when this is over - when that is over - the world will settle down as you would like it, as you design it."
Did it grab your attention? Because Marg's choice of the day certainly did. Here it is, from The Other Queen by Philippa Gregory, on page 249
He smiles at that and bows to me, a great sweep of a bow as if I were an empress, and then he dashes off, long-legged like a cold in a springing field. Such a sweet, sweet boy, he makes me think of my own son, little James, and the man that I hope he will be.
Now I'll admit I was all ready to buy this book anyway but now it's firmly on my To Be Read shelf ... well, just as soon as I can purchase it. I met my book spending allowance this month already. So sad. Anyway, congratulations Marg!
Wednesday, October 15, 2008
This Girl Recomments ~ Mr. Cavendish, I Presume (Julia Quinn)
The romance between Amelia and Thomas has real magic. I believe these two people were meant to be together. Amelia's pain and Thomas' need to do the right thing make complete sense within the context of the story and I was left satisfied, without any lingering questions. JQ's trademark humor was written into every page, especially the scene with Amelia, Thomas and Harry Gladdish in The Happy Hare. I could literally SEE Amelia, a proper regency miss, hopping up on a bar stool as though she frequents posting inns on regular occasions.
Of the two, I did enjoy Mr. Cavendish, I Presume more than The Lost Duke though this takes nothing away from The Lost Duke. My suggestion? Don't read The Duke and Mr. Cavendish one after the other. Your enjoyment will definitely increase by letting a little time lapse between readings.
Things I Liked:
- I loved the same story from 4 different perspectives (Grace and Jack; Amelia and Thomas). Great concept! Although I really wouldn't recommend that other authors or even JQ herself try this sort of thing again. The idea is phenomenal but part of its charm is that it's unique.
- Amelia - She's a wonderful character. Her growth is easily seen throughout the novel. She is strong, capable and more than a little funny.
- Milly - Amelia's sister. I would love to see a book done on her. And for a few scenes, JQ did one of the things she does best - siblings.
- SPOILER (hightlight to see) - The return of Whistledown! Sure, just a little snippet at the end but does this mean we'll get to see more of her, er Penelope, in future books?
- The Dowager never got her comeuppance ~ Ok, so here's the part where I go on a little rant. Why is it that heroines are always too sweet? They don't say anything nasty, even when it's completely warranted. First Grace (who got the sharper end of the Dowager's anger) and then Amelia both refuse to REALLY stand up to the Dowager. Now, I understand their circumstance demanded discretion but come on! At the very end, surely the reader could have had the satisfaction of a little bit of revenge. THAT SAID, JQ does a wonderful job of showing the reader that anything Grace or Amelia would have said to The Big D would not have fazed her in the least. Still, it couldn't hurt to get a little glimpse of that old hag rotting it out in the Outer Hebrides, would it?
- Released ~ September 30, 2008
- Price ~ $7.99
- Series ~Two Dukes of Wyndham Series - The Lost Duke of Wyndham and Mr. Cavendish, I Presume
- Favorite Julia Quinn ~ How To Marry A Marquis
Other Reviews:
And, although I am loving the new type of covers for JQ's novels, I do find the UK versions to be a bit more fun and in keeping with the author's writing style. If you want to see more UK cover versions, go here.